So you’ve renovated your house like a skilled surgeon, fixing structural flaws and preserving each room’s distinct architectural character. But something’s still missing. More than likely, that something is color—the renovator’s secret weapon.
Did you know that crown molding can visually raise the ceiling or lower it, depending on how it contrasts with the walls? Or that deft use of color can turn one room into a lively gathering place and another into a relaxing space for curling up with a book?
In today’s open-plan homes, where kitchens, living rooms, and dining rooms are often one large space, color is used to help define interiors and create focal points in relatively featureless rooms. The trick, of course, is figuring out how to pick paint colors to use and where to put them.
How To Choose Interior Paint Colors
1. Create a Color Scheme That Matches Your Home’s Furniture
In a world where thousands of colors can be yours for just $25 a gallon, it pays to consider the advice of architectural color consultant Bonnie Krims.
“Always remember that while there are thousands of paint chips at the store, there are only seven colors in the paint spectrum,” says Krims, referring to red, orange, yellow, green, blue, indigo, and violet (what Color Theory 101 students are often taught to remember by the mnemonic device, “Roy G. Biv”). “I always suggest eliminating a couple even before you go to the paint store.”
Here’s her sure-fire 4 step method for creating a color scheme:
Pro2Pro Tip: If you find yourself paralyzed at the paint store, unable to choose your color sample cards, Krims offers this tip: Look at the darkest color at the bottom of the strip. “If you can live with the one at the bottom, you know you’ll like the middle and top, but if you choose by looking at the top, lightest colors, all the cards in that category start to look the same.”
- Start by selecting three colors from an existing object in your home. “Take a pillow from the family-room sofa, your favorite tie or scarf, or a painting—anything that conveys comfort or has an emotional connection for you—and take that object to the paint store,” says Krims. “Find three sample strips with those colors, and you instantly have 15 to 18 colors you can use, since each sample strip typically contains six paint colors.”
- The next step is to choose one of the three paint colors as your wall color and to save the other two to be used around the room in fabric or furnishings.
- To choose the colors for adjacent rooms, take the same original three color sample strips and select another color.
- Finally, choose a fourth color that can be used as an accent: “Splash a little of that color into every room of the house—by way of a pillow or plate or artwork. It makes a connection between the spaces,” Krims says.
2. Decide on the Finish to Create an Appealing Visual Effect
Once you have your colors in hand, consider the finish you’ll be using. Though today’s flat paints have increased stain resistance, conventional wisdom has long held that a satin (also called eggshell) finish is best for walls because it is scrubbable and doesn’t draw attention to imperfections. Semi-gloss and high-gloss finishes, it was thought, were best left to the trim, where they could accent the curves of a molding profile or the panels of a door.
Today, however, finishes are also being used to create visual effects on the entire wall. Paint one wall in a flat or satin finish and the adjacent wall in a semi-gloss, both in the same color, and “when the light hits the walls, it creates a corduroy or velvet effect,” says Doty Horn. Similarly, you can paint the walls flat and the ceiling semi-gloss to achieve a matte and sheen contrast. (The ceiling will feel higher the more light-reflective it is.) Keep in mind that the higher the gloss, the more sheen and the more attention you draw to the surface. Used strategically, color and gloss together can emphasize your interior’s best assets.
3. Match The Color To The Feeling You Want In The Room
The psychology of color is a minor obsession among paint professionals. Many say you should choose a color based at least in part on how a room is used and the mood you want to establish.
Maxwell Gillingham-Ryan, co-founder and editor of the blog apartmenttherapy.com suggests, painting social rooms (dining rooms, kitchens, family and living areas) warm colors like daffodil-yellow, coral, or cranberry, and give private rooms (home offices, powder rooms, bedrooms) cooler hues like sage-green, violet, or sky-blue.
Keep in mind, when it comes to emotional effect, of course, one person’s welcome-home orange will be another person’s signal to scram.
Debbie Zimmer, for one, declares that “red will increase your appetite—and your blood pressure; blues and greens are naturelike and calming; purple is loved by children but not necessarily by adults; yellow is inviting; and orange can be welcoming but also a little irritating, depending on the tint, tone, or shade.”
Research done by Behr indicates that yellow can stimulate the brain, so it might be worth considering for rooms where homework is done; but avoid yellow in bedrooms, where the goal is generally to chill out. Instead, explore these calming colors in the bedroom to help you sleep better.
4. Know Your Whites
Whites come in a staggering variety. Pure, “clean” whites are formulated without tinted undertones. These are favored by designers looking to showcase artwork or furnishings and are often used on ceilings to create a neutral field overhead.
Most other whites are either warm—with yellow, rust, pink, or brownish undertones—or cool, with green, blue, or gray undertones. Behr’s Mary Rice says: “Use warmer whites in rooms without a lot of natural light, or to make larger spaces seem cozier.”
Cool whites, by contrast, can help open up a space. Test several at once to see which one works best with the other colors at play in the room.
How To Use Interior Paint Colors
5. Create Flow in Open Plan Spaces
Continuity is important on the ground floor, but color can help “zone” a big open space, separating the dining area from the TV room, for instance. There’s no need to stick to a single color or even a single color palette that is either all warm (reds, oranges, yellows) or all cool (blues, greens, bright whites).
However, “by using muted, dustier values, there’s a better chance the colors you choose will flow into one another,” says Tami Ridgeway, a color stylist for Valspar. She recommends leaning toward colors softened by a bit of gray; these are often found in historical palettes. Bright colors can be injected in small doses as accents—in furnishings, floor coverings, even flowers.
6. Make Small Spaces Feel Bigger or Cozier
What Colors Make A Room Look Bigger?
Generally, crisp whites can make a space feel bigger and more open, while warm colors create a sense of intimacy. At the most rudimentary level, large rooms generally can handle more color than small rooms. “Lighter hues can open up a small space, while darker colors give the perception that the surfaces are closer than they are,” says Debbie Zimmer.
What Colors Make A Room Cozier?
Of course, some small spaces don’t need to feel big: If you’re aiming to create a welcoming or cozy atmosphere in a foyer, study, or library, for example, hunter green or rust may serve you better than pale peach or celery.
7. Using Color Architecturally
One of the most effective ways to use color to transform a room is to play up its architectural features. Molding, mantels, built-in bookcases, arched doorways, wainscot, windows, and doors all offer an opportunity to add another layer of interest to colored walls.
Painting Molding and Doorways
For subtle emphasis, Sheri Thompson, director of color marketing and design for Sherwin-Williams, suggests painting molding or doorways just one step lighter or darker than the primary wall. “It’s a subtle shift in color but it really brings your eye to the detail,” she says.
Painting a metallic glaze right on top of an existing painted element, like a ceiling medallion, is another way to draw attention. “A copper or bronze finish is very translucent and it gives a nice shimmer that enhances the architectural feature,” says Thompson.
Where Do You Switch Color When Moving From Door to Casing?
It’s not an open-and-shut case, but the rule of thumb goes something like this: Paint the face of the door the color of the trim in the room it faces when shut, and the edges of the door the same color as the trim in the room it swings into.
If you’re using different trim colors in adjoining rooms, they need to work well together. “Doors tend to stay open, so you’ll have the trim color from an adjoining room in any given space on a regular basis,” observes painter Susan English. So, let’s say you have a barn-red door opening into a room with pale yellow walls. “This can be an effective accent color in the space where it doesn’t ‘belong’—if it’s carefully considered.”
Keeping trim color consistent in adjoining rooms that have open entryways generally offers a sense of cohesiveness, providing an unbroken line that is pleasing to the eye. In an open plan, consider painting all the trim white, even where wall colors vary.
8. Exploring Using Two Different Colors in The Same Room
For a bolder approach, try using two different colors in the same room. For example, paint a built-in bookcase or niche a shade of green in a room with blue walls, which will highlight the items on the bookcase or inside the recessed area. Of course, architectural elements can also provide continuity throughout a house if they are painted the same color in every room. Starting in the Federal period and continuing today, white and off-white have been the traditional choice for molding, windows, and doors.
9. Create Contrast in Rooms with Wainscoting
A room containing wainscot provides a good opportunity for a contrast between light and dark. A dark wainscot below a bright wall will draw attention to the upper walls, while a bright white wainscot next to a colored wall will focus the eye on the wainscot. You can also use paint to create the effect of wainscot where it doesn’t exist by covering the bottom third of the wall in one color and the upper walls in another; then place a piece of flat molding along the intersection and paint it the color of the lower wall to reinforce the wainscot look.
10. Create An Accent Wall to Add a Focal Point
Where rooms are relatively featureless, painting an “accent wall” in a vivid hue where the others are white or neutral can add a dramatic, contemporary edge. Or, as Ken Charbonneau, a New York color marketing consultant, suggests, paint the primary walls a soft color such as beige or celadon green and the accent wall three shades darker. “The accent wall still gives the room some punch, but it’s not as dramatic.”
11. Explore Bolder Options with Multiple Colors
If drama is your goal, you might rethink the entire notion of painting a wall from corner to corner, says Doty Horn, director of color and design for Benjamin Moore, and you’ll create an architectural emphasis where one doesn’t exist. Moving around the room in a clockwise direction, try painting a third of one wall and two thirds of the adjacent wall, wrapping the corner in color. Then paint the last one eighth of the second wall and three quarters of its adjacent wall, covering that corner.
Another bold play: Take a big wall and, working in from both corners, paint it almost to the center, leaving an 18- to 20-inch vertical line of white space, and hang artwork down the center.
12. Treat Your Ceiling Like a Fifth Wall
To give low ceilings the illusion of height, paint them white and any crown molding the same color as the wall; this will keep from interrupting your gaze upward.
Though sticking to “ceiling white” generally makes a space feel airy, a similar effect can be achieved by painting the ceiling a lighter shade of the wall color. Just take the paint sample card that has your wall color as the middle choice, then go one or two choices lighter for the ceiling color. The result will be a room that appears larger, because the contrast between wall color and ceiling color has been softened. In a small room, such as a bathroom, the ceiling can even be painted the same color as the walls to make it look bigger.
Of course, sometimes lowering the ceiling visually creates a welcome feeling of enclosure. In his own 19th-century brownstone, Ken Charbonneau painted the dining room ceiling Pompeiian Red. “People love to ask if the red paint doesn’t bring the ceiling down too much. But you’re sitting the whole time you’re in a dining room, and you want to create a warm, cozy, intimate feeling, so why not?” Of course, his ceilings are 11 feet high. In a house that has ceilings just 8 or 9 feet high, painting a bedroom ceiling a pale robin’s egg blue, for instance, would be a way to create a similar, soothing effect.
Just keep in mind something Kathleen Jewell, a color consultant in Orange Park Acres, California, has learned: “Warm shades lose their yellow tones on a surface where no sun ever falls, turning bluer and grayer,” aka dingy.
5 Paint Color Selection Mistakes To Avoid
1. Being Afraid To Explore Interior Paint Color Options
“The world is divided into two groups—the color courageous and the color cowardly,” says New York color marketing consultant Ken Charbonneau. “People who live in colorful interiors have gotten over the fear of making a mistake.” The best way to get over that fear is to always start with a color you love—from a rug, a painting, a fabric. Then test it on the wall. If it’s too strong, consider asking your paint store to formulate it at “half-strength” to lighten it or to tone it down by adding more gray.
2. Putting Too Much Paint On The Walls
Be aware of the intensity of the colors in a room. “If you have an Oriental rug with five or six strong colors, don’t paint the walls in equally strong hues. Let the rug be the focal point and the walls a lighter color,” says Sherwin-Williams’s Sheri Thompson.
3. Putting Too Little Paint On The Walls
If you think your room is boring, look at it in terms of the 60-30-10 rule that designers employ.
What is the 60 30 10 decorating rule?
Sixty percent of the color in a space generally comes from the walls; 30 percent from upholstery, floor covering, or window treatments; and 10 percent from accent pieces, accessories, and artwork. Translation: Liven up those white walls.
4. Rushing The Paint Selection Process
The best way to find a color you can live with is to paint a 4-by-4-foot swatch on the wall and live with it for at least 24 to 48 hours so you can see it in action.
The size of the room, the amount of natural or artificial light, and competing elements—ranging from flooring to furnishings—can all affect the way a particular color is perceived.
“Taking the extra time to do the swatch test is worth it to find a color you’ll love living with for years,” says Benjamin Moore’s Doty Horn.
A number of paint companies sell small jars of paint for sampling: Use one to paint a big piece of foam-core board with your top choice. Place it in various spots around the room, and see how it reflects the upholstery and responds to the quality and amount of light in the room over the course of a few days.
5. Forgetting About Primer
When changing the color of a wall, primer (white or tinted) is vital to getting the actual color you picked out. Michael Baillie, paint sales associate at The Home Depot, says, “Priming ensures there will be no interference from the previous wall color.”